(adsbygoogle = window.adsbygoogle || []).push({}); In this music theory video lesson, we will learn how to build the dominant diminished scale. F: F, Gb, G#, A, B, C, D, Eb, F E: E, F, G, G#, A#, B, C#, D, E If the scales are symmetrical, then going up the scale should be the same as going down the scale, and indeed we find that it is relatively the same, with the exception, that we have to adjust by a half step at the beginning of the descent. It is also a so-called symmetrical scale since the intervals are consistent. The C dominant diminished scale will contain C and Bb, so this would be a good scale to choose for soloing over that scale. This fact really helps to solidify the idea that diminished scales are symmetrical. Bb, C#, E and G dominant diminished are equivalent. Dominant Diminished Scales overview This scale is primarily used in jazz music and works well together with alternate seventh chords. A dominant diminished scale will have a 1 and a b7 relative to a tonic chord, thus dominant chords can be used with dominant diminished scales. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Copyright © 2012-2020 pianoscales.org. In this case, the tonic (fundamental) of the dominant chord is played (that is, the scale starts with that note) and then the diminished scale is played a semitone above that tonic. For example, a C dominant seventh chord will contain the notes C, E, G, and Bb. Now that we have covered both the fully diminished scale, and the half diminished scale, our next objective is to compare the two scales so that we may understand their differences, and similarities. A#/Bb: A#, B, C#, D, E, F, G, Bb, A# Formula: Half, Whole, Half, Whole, Half, Whole, Half, Whole, contact | about | sitemap | policy We will do exactly that in our next music theory video lesson. F#/Gb: F#, G, A, Bb, C, C#, D#, E, F# C: C, Db, D#, E, F#, G, A, Bb, C The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. The dominant diminished scale is also known as the half whole dominant scale. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. The C dominant diminished scale will contain C and Bb, so this would be a good scale to choose for soloing over that scale. The way to memorize this, is to think that the diminished scale repeats every 4th note, so we end up with a simplified pattern that looks something like this: This helps simplify the concept so that we can understand that whatever tonic we start from, if we go up or down 4/2 steps, we will arrive at the same scale again. The Dominant Diminished Scale is also referred to as the Diminished Blues and it shares many notes with the Pentatonic Blues scales. If you look closely, you may notice that the A dominant diminished scale has exactly the same notes as the C, Eb, and F# dominant diminished scales. G#/Ab: G#, A, B, C, D, Eb, F, Gb, G# How To Build The Dominant Diminished Scale, View Lesson 49: How To Build The Fully Diminished Scale, View Lesson 51: Comparing The Diminished Scales. We can arrive at our conclusion mathematically, by simply understanding that there are 12 notes in music, and since we repeat every fourth scale, then 12 divided by 4 (12/4) = 3 actual dominant diminished scales. The same is also true for some diminished chords. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. Once again, we will consider all of the equivalent scales: A, C, Eb and F# dominant diminished are equivalent. The most common application of the diminished scale is in the dominant chord. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the “auxiliary diminished” scale or the “b9” scale, this is similar but not identical to the altered scale – note that the diminished dominant scale has a natural 13, not a b13, and it has the perfect 5th above the root – which is not the case with the altered scale): What is the Dominant Diminished Scale? C#/Db: C#, D, E, F, G, G#, Bb, B, C# In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). B: B, C, D, D#, F, Gb, Ab, A, B, Intervals: 1, b2, #2, 3, #4, 5, 6, b7 Like its brother, the fully diminished scale, the dominant diminished scale is octatonic in nature, and exists only in a few forms. This is where it gets a little tough to understand if you don’t have a lot of chord theory under your belt, but I’ll give it a shot. Dominant seventh chords are built using the formula 1, 3, 5, b7, which is a major chord with a minor ending. The Diminished Scale is built upon two diminished seventh chords. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. The dominant diminished scale is one of the coolest sounding scales to improvise with over dominant 7 chords. G: G, Ab, A#, B, C#, D, E, F, G D#/Eb: D#, E, F#, G, A, Bb, C, Db, D# Once again we can see a pattern in the dominant diminished scales. B, D, F and Ab dominant diminished scales are equivalent. See also the Diminished Scale. In music, the term “dominant” is reserved for the 5th scale degree of a tonic. For example, a C dominant seventh chord will contain the notes C, E, G, and Bb. Here is the G Dominant Diminished Scale: By extension, it is also a good choice to use when using extended, altered chords that are based on dominant chord qualities. It is also a so-called symmetrical scale since the intervals are consistent. A dominant diminished scale will have a 1 and a b7 relative to  a tonic chord, thus dominant chords can be used with dominant diminished scales. It is also a so-called symmetrical scale since the intervals are consistent. If that explanation didn’t make any sense, don’t worry we’ll be covering chord construction in future music theory lessons. Here are all of the dominant diminished scales written out for reference: A dominant diminished: A, Bb, C, Db, Eb, E, F#, G and A, Bb dominant diminished: Bb, B, C#, D, E, F, G, Ab and Bb, B dominant diminished: B, C, D, Eb, F, Gb, Ab, A and B, C dominant diminished: C, Db, Eb, E, F#, G, A, Bb and C, C# dominant diminished: C#, D, E, F, G, Ab, Bb, B and C#, D dominant diminished: D, Eb, F, Gb, Ab, A, B, C and D, Eb dominant diminished: Eb, E, F#, G, A, Bb, C, Db and Eb, E dominant diminished: E, F, G, Ab, Bb, B, C#, D and E, F dominant diminished: F, Gb, Ab, A, B, C, D, Eb and F, F# dominant diminished: F#, G, A, Bb, C, Db, Eb, E and F#, G dominant diminished: G, Ab, Bb, B, C#, D, E, F and G, Ab dominant diminished: Ab, A, B, C, D, Eb, F, Gb and Ab.

.

Fender Fuse Software, Denon No Video But Sound, Past Tense Of Can, Black And Decker Mouse Sander Instruction Manual, Adventure Travel Ideas, Cooking Brats On Pit Boss, Liftmaster Garage Door Opener Troubleshoot, Blade Fuse Manufacturer, Bible Verses About Being Filled With The Holy Spirit Kjv, Fender Fuse Software, Lynn, Ma Area Code, Epsom Salt Fertilizer, Is It Nothing To You Lyrics, Umich Engineering Careers By Simplicity,